LSM Newswire

Friday, June 17, 2016

We've Moved!

This blog is now retired. You can find all of the press releases as well as new La Scena Musicale online content, news, press releases, and back issues at

Thursday, June 2, 2016

Breaking: Yannick Nézet-Séguin appointed Music Director of the Metropolitan Opera

plus extends his tenure with the Philadelphia Orchestra

The Metropolitan Opera announced today that Yannick Nézet-Séguin will be the company’s new Music Director from the 2020/21 season, becoming only the third conductor to hold this title in the house’s 133-year history. 
He will assume the title of Music Director Designate from the 2017/18 season, conducting two operas a season, then five a season once he becomes Music Director in September 2020. His artistic involvement will begin immediately, and as Music Director he will have artistic authority over the orchestra, chorus and music staff, and will work together with Met General Manager Peter Gelb to oversee the planning and casting of each Met season. Next season, he will conduct his first Wagner opera with the company, a revival of ‘Der Fliegende Holländer’. 
Concurrently, it has been announced that Yannick will extend his tenure with the Philadelphia Orchestra – of which he has been Music Director since 2012 – until the 2025/26 season. 
He will remain Principal Conductor of the Rotterdam Philharmonic until the end of the 2017/18 season, also retaining his Music Directorship of Montreal’s Orchestre Métropolitain and continuing his regular guest conducting appearances in Europe. 
Of the announcements, Yannick says: “I never imagined that I could live the dream of leading the legendary and magnificent Philadelphia Orchestra and I now embrace with great joy and eagerness the chance to deepen my connection with this sensationally musical city and to share the music-making, both in the concert hall and the wider community, for at least a further decade – I have so many ideas! To be able to do this, while simultaneously fulfilling my lifelong dream to become Music Director of the Metropolitan Opera and its extraordinary orchestra, chorus and staff was irresistible to me; I am truly honoured and humbled to succeed the legendary James Levine as leader of what I believe is the greatest opera company in the world. I will make it my mission to preserve the highest artistic standards for both institutions, while imagining a new, bright future for our art form. I am the luckiest MD on earth today."
Donagh Collins, Chief Executive of Askonas Holt says, “What a pleasure for Askonas Holt to partner with Yannick on these exciting announcements for the future. Alongside my colleagues Rona Eastwood and Rupert Chandler, I have enjoyed partnering with Peter Gelb and Allison Vulgamore to make Yannick’s dream a reality, ensuring that he can be a successful Music Director at both The Metropolitan Opera and The Philadelphia Orchestra into the long-term – two amazing institutions which are located relatively close to one another ... thankfully!”
Source: Askonas Holt

Labels: , , ,

Breaking: Yannick Nézet-Séguin Named the Metropolitan Opera’s Music Director

The 41-year-old conductor will become only the third
Music Director in the history of the Met

New York, NY  (June 2, 2016) – The Metropolitan Opera announced that the acclaimed conductor Yannick Nézet-Séguin will be the company’s new Music Director. The position has previously been held by only two artists in the company’s storied 133-year history—James Levine, who after 40 years in the position stepped down at the end of the recently concluded season to become the company’s first Music Director Emeritus, and Rafael Kubelik, who held the title briefly in the company’s 1973-74 season.
In the Met’s 2017-18 season, Nézet-Séguin will assume the interim title of Music Director Designate. He will become Music Director in the 2020-21 season, the first season in which he is available to take over the full responsibilities of the position. However, he will immediately become involved in the company’s artistic planning, which happens many years in advance.
As Music Director, Nézet-Séguin will be responsible for the overall musical quality of the Met. He will have artistic authority over the company’s orchestra, chorus, and music staff, and will work in tandem with Met General Manager Peter Gelb to oversee the planning and casting of each Met season, including repertoire choices, new productions (including the selection of creative teams), revivals, and commissions.

Nézet-Séguin will initially conduct five different operas each season he is Music Director, as well as concerts with the Met Orchestra. In each of the seasons in which he is Music Director Designate, Nézet-Séguin will conduct two operas. Next season at the Met, he will conduct his first Wagner opera with the company, a revival of Der Fliegende Holländer.  
            “Becoming the Music Director of the Metropolitan Opera is the fulfillment of a lifelong dream for me,” said Nézet-Séguin. “I am truly honored and humbled by the opportunity to succeed the legendary James Levine and to work with the extraordinary orchestra, chorus, and staff of what I believe is the greatest opera company in the world. I will make it my mission to passionately preserve the highest artistic standards while imagining a new, bright future for our art form.”
“Yannick was the clear choice of the Company,” said Gelb. “He is the right artist at the right time to lead us forward into a new and what I believe will be a glorious chapter in the history of the Met.” 
            “The Metropolitan Opera has been the great artistic love of my life, and it has been tremendously rewarding to see the company develop and improve over the past 45 years,” said Levine. “I offer my heartfelt congratulations to Yannick on taking the musical reins, and I look forward to seeing the good work continue under his watch.”
“The MET Orchestra enjoys a tremendously fruitful, positive relationship with Maestro Nézet-Séguin, and we are delighted in his appointment as Music Director,” said Jessica Phillips, clarinetist and chair of the Met’s Orchestra committee. “He embodies the artistic leadership, musical excellence, and respect for rich tradition that opera lovers around the world have come to cherish. We eagerly look forward to working together to shape this new era at the Met.”
“The singers and stage performers at the Met welcome Yannick Nézet-Séguin, joining the historic line of artists from James Levine’s great tenure back to Toscanini and Mahler,” said David Frye, tenor and chair of the Met’s chorus committee. “Yannick has led great performances with the company, and we’re eager to expand our collaboration.”
             Nézet-Séguin made his Met debut in the 2009-10 season, conducting a new production of Bizet’s Carmen. He has returned in every subsequent season, leading acclaimed performances of Verdi’s Don Carlo, Gounod’s Faust, Verdi’s La Traviata, and Dvořák’sRusalka. He led the opening night performance of the Met’s 2015-16 season, a new production of Verdi’s Otello
Nézet-Séguin’s operatic career was launched when he was appointed Chorus Master and Assistant Conductor of the Montreal Opera at age 23. Since then, he has conducted a wide breadth of repertoire at a number of the leading companies, including the Vienna State Opera; the Royal Opera House, Covent Garden; La Scala; Dutch National Opera; and the Salzburg Festival, in addition to the Met. He is also a frequent guest conductor of the Berlin Philharmonic, the Vienna Philharmonic, the Bavarian Radio Symphony Orchestra, the London Philharmonic, and the Chamber Orchestra of Europe.
Since 2012, Nézet-Séguin has been Music Director of the Philadelphia Orchestra, which announced today that he has extended his contract with them through 2025-26. (A separate press release on that announcement is available.) Given the close proximity of New York and Philadelphia, Nézet-Séguin will be able to easily commute between his two posts, and the Met and the Philadelphia Orchestra will also be exploring the possibilities for artistic collaboration between the two institutions.
He is also the Music Director of Montreal’s Orchestre Métropolitain and of the Rotterdam Philharmonic, a position he will resign at the conclusion of the 2017-18 season.
Each season, the Met presents more than 200 performances in its home at Lincoln Center and transmits 10 live performances to more than 2,000 movie theaters in 70 countries around the world.

Source: The Metropolitan Opera

Labels: , ,

Wednesday, March 9, 2016

24 des violonistes les plus prometteurs au monde en compétition à Montréal

Montréal, le 8 mars 2016 – 24 jeunes violonistes, 16 femmes et 8 hommes issus de 13 pays d’une moyenne d’âge de 23 ans, ont été sélectionnés pour participer à la 15e édition du Concours musical international de Montréal (CMIM). Les plus fortes participations viennent des États-Unis (7) et de la Corée du sud (6), suivies du Japon (3) et de France (2). Les neuf pays suivants comptent chacun un candidat : Allemagne, Bulgarie, Chine, Finlande, Italie, Lettonie, Russie, Taïwan et Ukraine. Le jury de sélection était composé de Jonathan Crow, Boris Kuschnir, Douglas McNabney, Lucie Robert et Andrew Wan. Soyez les premiers à découvrir ces jeunes virtuoses, du 22 mai au 2 juin prochains, alors qu’ils se disputeront plus de 86 000 $ en prix.

Laura Bortolotto (Italie)
Elina Buksha (Lettonie)
Daniel Cho (États-Unis)
Clémence de Forceville (France)
Sirena Huang (États-Unis)
Petteri Iivonen (Finlande)
Bomsori Kim (Corée du sud)
Gyehee Kim (Corée du sud)
Woo Hyung Kim (Corée du sud)
Mariya Krasnyuk (Ukraine/États-Unis)
Ji Eun Lee (Corée du sud)
Christine Lim (États-Unis)
Richard Lin (Taïwan/États-Unis)
Albrecht Menzel (Allemagne)
Diana Pasko (Russie)
Liya Petrova Konyarova (Bulgarie)
Kenneth Renshaw (États-Unis)
Fedor Roudine (France)
Ji Won Song (Corée du sud)
Elly Suh (États-Unis/Corée du sud)
Mai Suzuki (Japon)
Ayana Tsuji (Japon)
Xiao Wang (Chine)
Minami Yoshida (Japon)

Rappelons que le jury international de cette édition réunira : Pierre Amoyal (France), Boris Brott (Canada), Boris Garlitsky (Russie), Ida Kavafian (Arménie/États-Unis), Mihaela Martin (Roumanie), Vera Tsu Wei-Ling (Chine), et Kathleen Winkler (États-Unis). André Bourbeau, cofondateur et président du CMIM, agira à titre de président non-votant du jury.

Prix Paganini

La direction du CMIM est fière d’annoncer l’ajout du Prix Paganini amenant la valeur totale des prix à 86 500 $. Offert par E. Noël Spinelli, C.M., C.Q., ce prix de 1 000 $ sera remis pour la meilleure interprétation d’un des 24 Caprices, Opus 1 de Niccolò Paganini en quart de finale.

Renseignements Et Billetterie

Rappelons aussi que les quarts de finale (du 23 au 25 mai) et demi-finale (les 27 et 28 mai) se tiendront à la salle de concert Bourgie du Musée des beaux-arts de Montréal et les finales (les 30 et 31 mai) et Concert gala (2 juin) se dérouleront à la Maison symphonique avec l’Orchestre symphonique de Montréal sous la direction de Giancarlo Guerrero.

Finale et Gala - Billetterie de la Place des arts : | 514 842-2112 | 1 866 842-2112.

Quart de finale et demi-finale : Billetterie de la salle de concert Bourgie : | 514 285-2000, option 4.


24 of the World’s Most Promising Violonists to Compete in Montreal

Montreal, March 8, 2016 – 24 violinists, 16 women and 8 men from 13 countries with an average age of 23, have been selected to participate in the 15th Concours musical international de Montréal (CMIM). The highest number of candidates are from the Unites States (7) and South Korea (6), followed by Japan (3) and France (2). The remaining nine countries are represented by one participant each: Bulgaria, China, Finland, Germany, Italy, Latvia, Russia, Taiwan and Ukraine. The preselection jury included Jonathan Crow, Boris Kuschnir, Douglas McNabney, Lucie Robert, and Andrew Wan. From May 22 to June 2, 2016, be the first to discover these young virtuosos as they compete for over $86,000 in prizes.

Laura Bortolotto, Italy
Elina Buksha, Latvia
Daniel Cho, United States
Clémence de Forceville, France
Sirena Huang, United States
Petteri Iivonen, Finland
Bomsori Kim, South Korea
Gyehee Kim, South Korea
Woo Hyung Kim, South Korea
Mariya Krasnyuk, Ukraine/United States
Ji Eun Lee, South Korea
Christine Lim, United States
Richard Lin, Taiwan/United States
Albrecht Menzel, Germany
Diana Pasko, Russia
Liya Petrova Konyarova, Bulgaria
Kenneth Renshaw, United States
Fedor Roudine, France
Ji Won Song, South Korea
Elly Suh, United States/South Korea
Mai Suzuki, Japan
Ayana Tsuji, Japan
Xiao Wang, China
Minami Yoshida, Japan

The international jury for this editon includes: Pierre Amoyal (France); Boris Brott (Canada); Boris Garlitsky (Russia); Ida Kavafian (Armenia/United States); Mihaela Martin (Romania); Vera Tsu Wei-Ling (China); and Kathleen Winkler (United States). André Bourbeau, Co-Founder and Chairman of the CMIM, will act as non-voting president of the jury.

Paganini Award

The CMIM is pleased to add yet another special prize, the $1,000 Paganini Award, which brings the total prize money to $86,500. Offered by E. Noël Spinelli, C.M., C.Q., this prize will be awarded for the best performance in the quarter-finals of a Caprice from Niccolò Paganini’s Opus 1.

Information And Box Office

The quarter-final (May 23 to May 25) and semi-final rounds (May 27 & 28) will be held at Bourgie Hall of the Montreal Museum of Fine Arts. Both the finals (May 30 & 31) and gala concert (June 2) at Maison symphonique with the Orchestre symphonique de Montréal led by Maestro Giancarlo Guerrero.

Finals and gala concert - The Place des Arts box office: | 514 842-2112 | 1 866 842-2112.  

Quarter and semi-final rounds - Bourgie Concert Hall, Montreal Museum of Fine Arts: | 514 285-2000, option 4.


Wednesday, February 10, 2016

Le Chœur des enfants de Montréal recherche un nouveau Directeur* artistique

Le Chœur des enfants de Montréal recherche un nouveau Directeur* artistique

Le Chœur des enfants de Montréal recherche un Directeur artistique (DA) à partir de juillet 2016. Le Chœur compte plus de 120 enfants divisé en quatre ensembles: Débutant (5-6 ans), Préparatoire (6-7 ans, Junior (8-10 ans) et Senior (11-17 ans). Le répertoire des enfants est varié et plein d’entrain, allant de la Renaissance à la musique contemporaine. Le DA doit être disponible pour les répétitions les lundis de 16h à 18h et les mercredis de 16h à 20h.

Les tâches comprennent le recrutement, l’enseignement de compétences vocales, le mentorat de chef(s) assistant(s), la programmation, la planification de répétitions, la planification à longue-terme, en plus de la direction du (des) chœur(s) aux concerts. Les tâches peuvent aussi comprendre la préparation du chœur pour des prestations avec d’autres organisations artistiques telles que l’OSM.

Le candidat retenu devra collaborer étroitement avec le(s) chef(s) assistant(s), l’administrateur du chœur, le Conseil exécutif et les responsables des groupes de travail afin d’assurer la continuité et la croissance musicale et administrative.

Les candidats doivent posséder une expérience musicale solide, une attitude positive et un don manifeste de travailler avec des enfants.

Exigences :

  • Expertise manifeste en production vocale, en instruction des techniques vocales et en techniques chorales pour enfants
  • Vaste connaissance du répertoire choral standard et contemporain pour enfants
  • Bilinguisme (français et anglais)
  • Une connaissance pratique de la prononciation de langues (français, anglais, allemand, latin, italien et espagnol) est un atout.

Les candidats intéressés doivent faire parvenir leur CV à Andrea Cooper à avant le 1er mars 2016.

* La forme masculine est utilisée pour alléger le texte.

Labels: ,